The Studio
The purpose-built, acoustically-treated studio features 192khz 24bit+ digital multi-track recording via Motu 896mkIII and Focusrite interfaces. At the system’s core is a high-spec, Nuendo-based, hex-core workstation (designed and built in-house).
The purpose-built, acoustically-treated studio features 192khz 24bit+ digital multi-track recording via Motu 896mkIII and Focusrite interfaces. At the system’s core is a high-spec hex-core Nuendo-based workstation (designed and built in-house).
Monitoring comes in the form of near and mid-field stereo, 5.1 surround, and 2.1 solutions from Focal, Avantone, NAD, and Tannoy.
The opposite end of the studio houses a dedicated mastering suite/reference system boasting Martin Logan electrostatic speakers driven by Nord Acoustics monoblock power amps and twin Gallo Acoustics subwoofers, coupled with an Audiolab MDAC+ and 6000 series CD Transport. This system is driven by a dedicated passive-cooled machine (also designed and built in-house).
Monitoring comes in the form of near and mid-field stereo, 5.1 surround, and 2.1 solutions from Focal, Avantone, NAD, and Tannoy.
The opposite end of the studio houses a dedicated mastering suite/reference system boasting Martin Logan electrostatic speakers driven by Nord Acoustics monoblock power amps and twin Gallo Acoustics subwoofers, coupled with an Audiolab MDAC+ and 6000 series CD Transport. This system is driven by a dedicated passive-cooled machine (also designed and built in-house).
Hands-on control is provided by 24-track Penny & Giles automated-fader Mackie control-surfaces, plus additional controllers from NI, TC Electronics, Nektar, Behringer Akai, Wacom, Leap Motion, and Korg.
Visual monitoring comes in the form of a Samsung LED array consisting of 4 x 24” curved widescreen displays plus 46” main-screen.
The dedicated mastering/reference system benefits from dedicated twin 4K displays.
There’s a full compliment of microphones from AKG, Neumann, Earthworks, Shure, Sennheiser, and Rode, location recording gear from Sound Devices, Rode, Edirol, and Rycote, plus hardware from Proel, Norstone, Gautier, K&M, Quiklok, and Atacama.
Hands-on control is provided by 24-track Penny & Giles automated-fader Mackie control-surfaces, plus additional controllers from NI, TC Electronics, Nektar, Behringer Akai, Wacom, Leap Motion, and Korg.
Visual monitoring comes in the form of a Samsung LED array consisting of 4 x 24” curved widescreen displays plus 46” main-screen.
The dedicated mastering/reference system benefits from dedicated twin 4K displays.
There’s a compliment of microphones from AKG, Neumann, Earthworks, Shure, Sennheiser, and Rode, location recording gear from Sound Devices, Rode, Edirol, and Rycote, plus hardware from Proel, Norstone, Gautier, K&M, Quiklok, and Atacama.